Category: Culture


I’m not one to wax poetic about generalities of life and what not on this blog, but this is a great article I was sent today, that I think everyone should take 5 minutes to read through. Great succinct tips to help you improve your life (and maybe help get more enjoyment out of music too)(there, I made it music related).

http://www.learnvest.com/living-frugally/psychology-of-money/the-best-time-investments-you-can-make/

Just wanted to pass along this link to a mix by my friend Adrian Michna, that he did with Dust La Rock, of a bunch of classic stuff from The Orb. Been enjoying it recently, its pretty diverse though..

Download it here.

Also check out this video bio on him by Ghostly. Rocking his Merck shirt…

Sunny times…

Woo!… finally a new look to the site, plus updated WordPress. I’ve been working on building a site for a friend of mine, figured its about time to update my own. I’m also working on learning Ableton Live this summer, so I can provide some better mixes for you all once I get some free time in the future.

Happy Summer to you all (in the northern hemisphere), hope you’re enjoying some cold beer, and some time outside just staring at the sky listening to good music.

Peace! -Gabe

just played: Machinedrum – Rooms(s) CD
np: Extrawelt – Was Übrig Bleibt
next: Ellen Allien – Stadtkind (Verbos Rmx)

 

Just wanted to pass along a link to a nice writeup about the Half The Battle CD, that Timmy K sent to me. I’m glad people are rediscovering our discs like this. We put a hell of a lot of work into that CD, and its one of my favorite discs I produced with Merck. Hopefully there is a big IDM revival coming some day….. Or at least just a couple people like this, finding and enjoying our efforts amidst the somewhat stagnant current music environment.

http://awkwardmovements.blogspot.com/2010/12/machine-drums-half-battle-2002.html

Back in early 2003, hot on the heels of the success of the first Kristuit Salu vs. Morris Nightingale CD by Jimmy Edgar, we began work on solo second albums from each alias (“Kristuits Salu – re:design district” and “Morris Nightingale – I’m It’s Easy” (changed later to: Easy Like Ginger)). Jimmy had a slew of new tracks from each alias, both coming along strong and pushing the edges of the two sounds he established on the first record. He began work on art for them (he had done the art for My Mines I), which came out interesting, but fortunately he started to link up with Jesse Magicpatch, and he did two further revisions of the art that came out quite awesome. In the meantime I had flown to Japan to network and have a licensing meeting with my old friends at P-Vine, because they were excited to get a follow up from Jimmy as they had already released My Mines I in Japan. Unfortunately, shortly after that I found out it was all for naught, as big brother (Warp) stepped in, signed Jimmy exclusively to their label, and demanded that he not release any other music with anyone else (and thus why Jimmy has had several aliases since then that have been hush hush). Nonetheless, this was an important early lesson on the label side of why to sign contracts with people. Ultimately I was happy for Jimmy, because someone I had discovered and nurtured was on to bigger and better things, a much bigger audience, and hopefully some just monetary rewards for his talent. But I had definitely wasted a lot of efforts on this, and to make it worse, Warp only ended up using 4 of the 20+ tracks that we had slated for release on the two new albums (Access Rhythm EP).

So here is the original artwork that Jimmy created in March of 2003.

The 2 new versions by Magicpatch in May of 2003 (**Make sure to click on em to see the full res).

Shame that art never got used, and the music was never heard. Its nice to be beyond all these kinds of headaches now, back to listening, and not releasing. More artwork and maybe some more drama to come in future posts, but thats enough for now from “Gabe of the Mountain” (nickname Jimmy always called me, I don’t remember why though!).

I made CD’s for 8 years, with over 75,000+ discs I am responsible for in circulation (plus all the vinyls, and CDs still in my garage). But I never actually saw the physical process for making them. This video that my friend Rob sent me via Discovery Channel finally shed some light on that.

Here is a little interview I did a few weeks ago on the excellent Percussion Lab Radio show up here in New York. Conducted by none other than the main man Praveen, with the indoobidable (sp?) Travis Stewart present as well.

Check it out here.

Enjoy!

Can someone explain the math behind this?

http://www.last.fm/music/Proem/Socially+Inept

2000 edition CD, of which there are about 100 left
+
less than 500 digital album sales… (though it is #2 best selling digital album for Merck)
=
50,000+ unique listeners??

hmmmm?

Sorry for the lack of posts… here’s a clip in the meantime:

Neurosonics Audiomedical Labs Inc. on Vimeo.

My interview over at Headphone Commute has been posted. Check it out here

(side note: playing this week on shuffle: video game rock from the likes of The Advantage/Generic, Minibosses, Alias Jack, and Cursor)