Category: Culture


Just had to share vocally that this is my favorite art/music magazine, by far. It makes Beautiful Decay look like a community college zine. Usually in any magazine or art show that I see around, there is like 1-2 artists work that I enjoy, and the rest are kinda interchangeable. BUT each Multilink issue is constantly good art/music. I always finish reading it and have about a dozen names I need to check out more. Admittedly I’m a bit biased towards them due to some connections, but seriously, I can’t get over the quality of the artists/photographers/illustrators/designers that they feature in there (that’s why I’m involved!). Usually people I’ve never heard of, and always amazing work.

Their site/blog has just been reinvigorated, and they got a webstore and book in the works too. As a side note for the Merck fans reading this, they did the most involved and detailed article on Merck ever. You can find it in issue #6. Also they have this badass flash based online pdf viewer for those of you who don’t want to leave your browser.

I highly recommend you check out the magazine if you have eyes, here.

I’ve been pirating software since about 1993. Probably when I still had my first Hayes 2400 modem. I mostly went for games back then to give them a good preview before buying (well before the days when a “game demo” was common, or even pc gaming was common). Did a lot of BBSing, and saw the piracy revolution developing well before it hit the mainstream. Hell, I even made the welcome ANSI for the biggest Razor USHQ. Of course later into the 1990′s I got into downloading MP3′s of the obscure music I was hearing coming from far corners of the globe that I couldn’t get in our limited record store markets in Miami (bleep bloop anyone?).

So of course a couple years into Merck we started to get annoyed by the weak ass Scene releases of our CDs. Barely even listing the name ‘merck’ on the release, but smearing their crappy half-assed group name all across every damn file in the release. We decided to do our own scene release of the Lackluster, Adam Johnson, and Mix 2 cds, complete with a wickedly done .nfo file, and all the proper scene crap. Was entertaining for the few releases (gave up on it after that), I even remember some kind of ‘backlash’ from the scene about it, like we were somehow hurting them. Quite funny. Nonetheless, I spent several hours the other day trying to track down that original .nfo file on my hard drive, but unfortunately I think it may have gotten the chop some years back by accident. Fortunately my friend Shawn had one laying around, and Esa had a version of an Ascii done for us by reanimator from iCE for potential use as well. Here they are.

lackluster-showcase-cd-2003-merck.nfo

merck nfo by reanimator-iCE

Sorry for the lack of posts, I’ve had a busy last few months. I hope to be doing 1 post a week for the spring, and hopefully endeavoring into more personal territory as well. So here goes….

I think everyone (including me) nowadays kind of always assumes that things that are put on the net, will always be around. There are 2 such things that I have always regretted not ‘grabbing’ for myself off the net. As they have since disappeared from the time I first discovered them.

First off was the original website and designs of Vir2l. Some of you may remember them as THE ILLEST web design company in the late 1990′s. They did some simply AMAZING graphics. Very inspirational to visual styles I would later strive for on Merck releases. The company of course split up over differences amongst the various cocky designers (is what I’ve been told), and now the name seems to be somehow involved in cell phone games. Nonetheless, its nearly impossible to find ANY pics of any of the amazing stuff they did back in the day (even on pages and pages of google image searches).

The second thing is this website i found many years back that was someones detailed personal exploits, stories, and adventures in the world of Ultima Online. For the most part they were all griefing stories, and boy were they awesomely hilarious. He had dozens and dozens of well written out tales of various exploits he’d been involved in of torturing, stealing, and causing general strife in the world of Ultima Online (the first major MMORPG, and wild west of sorts as far as those kind of games go), most of them with great screenshots to illustrate. I can’t express how entertaining it was to read these things (and I never even got to play Ultima Online directly either!). Once again the sites content has seemingly disappeared from the internet (I don’t even know what the URL was). I spent 4 hours one day scouring Google, but was left with nothing.

The lesson, if you find a site with content you really love. Your best friend may be a wget or a lot of right click and saving.

-G

Sad to say the IDM scene has had another more permanent loss this month. Charlie Cooper, 1/2 of Telefon Tel Aviv was found dead yesterday… apparently of suicide. News story here.

Rest In Peace…. you will be missed.

TDR, the wonderful people who graced us with so many completely ridiculously great album covers (mostly through Warp), has officially closed their doors. Apparently they got a bit too big and corporate. Here is an interview with the bloke who runs it explaining more. You guys will be missed, but of course you’ll live on in all our record collections.

PS. If anyone has an original TDR book (the spiral bound one I think) they want to get rid of, I’ve always been looking to get one.

This DVD of motion graphics (plus soundscapes) looks pretty dope. Its curated by Matt Pyke (formerly of The Designers Republic) with music by his brother Freeform (who i’m not really a fan of at all, but I got my fingers crossed). One of the videos is by Alex of Team Doyobi, so this thing is just wreaking of Skam/Warp. Its apparently not available yet, but should be soon.

Their blog.

Pingmag article about it.

Gas Prices

I didn’t plan to get involved in any political stuff on this blog, but I felt I should share this bit from yesterdays USA Today that I enjoyed. Been listening to people complain nonstop about our ‘high’ gas prices, nigga please. I’m glad there are people are out there getting views like this in the paper.

USA Today opinion tidbit here

World gas prices from last month:
City – Reg. price in USD/gal.
Oslo 9.85
Paris 9.43
Copenhagen 9.24
Rome 9.03
London 8.96
Berlin 8.68
Hong Kong 8.05
Seoul 7.33
Sao Paulo 6.38
Tokyo 6.30
Singapore 6.13
Nairobi 5.94
Sydney 5.57
Montreal 5.57
Vancouver 5.50
Santiago 5.18
Toronto 4.98
Mumbai 4.94
Bangkok 4.78
Los Angeles 4.57
Johannesburg 4.41
Moscow 3.90
Topeka, KS 3.87
Havana 3.75
Buenos Aires 3.56
Beijing 3.40
Mexico City 2.62
Dubai City 1.70
Cairo 1.24
Kuwait City 0.92
Riyadh 0.47
Tehran 0.41
Caracas 0.12

Also heres a nice graph on subsidies and prices from 2007 in litres
(Every country except 3 in the world uses that unit of measurement. Us, Liberia, and Myanmar.)

Heres a link to an interview I did in 2005 for a really well respected music/design/apparel store in Japan. One of their two stores used to be the exclusive outlet of The Designers Republic stuff in Japan (hot!). I’m pretty happy with how it came out.

Shop 33 Interview

I wrote this around the time of the end of Merck in the interest of explaining a little bit about Merck and the state of electronic music/IDM that you all may not have known before. I hope that you all can understand better the industry side of why we have decided to end the label, and what is going on behind the scenes with a lot of record labels. There are still a fair amount of personal reasons on top of these that have caused us to decide to move on to something else, but at the end of the day you run a record label to sell music, so thats #1 priority.

Merck Records does make money, I’ve paid out over $40,000 in cash to artists since the label started, as well as providing artists with hundreds of copies of releases to sell and give away.

We released 12 cds and 12 vinyls for each calender year 2003 and 2004, the same as much bigger labels than us were doing. For 2005 we decided to slow it down to roughly half that and do 6 cds and 10 vinyls to make things a little easier on us. We did roughly the same for 2006, our final year.

Before 2004 most all of our releases were pressed in quantities of 1000 and most are still in print. In 2004 we started to get better distribution and began pressing 2000 of most new cds and ALL of those cds are still in print (though we have sold more than 1000 of some of them).

Based on those figures you can understand that the income from running a small record label is not large enough to support personal housing, food, etc., much less a label office and staff expenses. On top of that I drive a crappy car and have crappy insurance, so if i break my leg, somebody’s album isn’t coming out.

Around %50 of our releases were sold in Japan, so the size of the scene you think the U.S./Europe has, divide that in half, the US is only buying 100-250 copies of our cds at most, same for Europe. The rest are going to Japan. The Japanese have the highest per square foot real estate costs, but yet they are the ones buying the most physical copies of music releases (vinyl on top of that!). So the big secret you all don’t know, is that without Japan, a lot of the indie labels you know and love, would be a lot worse off or not exist. So thank Japan for helping keep a lot of the music you love, coming out. There’s a reason every Warp album comes out in Japan 3 weeks before the rest of the world and has a bonus track on it.

In recent times, the European music market, that was the birthplace and incubator of a lot of electronic music, has taken a decent sized downturn and a lot of distributors are focusing more on pushing a lot of copies of one release or focusing only on more profitable genres, instead of actually doing the job of a distributor, which is to supply a lot of copies of a lot of releases.

MP3′s have definitely had a good and bad effect on the label, of course they help to spread our music around to people who haven’t heard it before. The problem comes when people use it as a substitute for a real copy of the cd or a legitimate mp3 purchase. As Machinedrum said in a recent interview and as I’ve experienced personally multiple times, we meet many people who swear Merck is one of their favorite labels and they love all our stuff, then when asked what cds/vinyls they own, they either own NOTHING or only a couple releases. Thats not support, and although we appreciate their enthusiasm, they are not the kind of fans that breed a healthy scene. Take this
excerpt below that was actually said in an IRC chat channel as a perfect example:

<instlr> guys does anyone has these or some of these albums: http://www.m3rck.net/hiphop.txt ?
<HomX> new merck out -> Blamstrain_-_Blamstrain_Remixed_(Merck)-CD-2005
<HomX> instlr, i have the tribe called quest albums on that list
<HomX> i’d be interested in getting all the other classics.. some of which i have on TAPE.. baha
<instlr> i did a quick listen to that blamstrain, didnt sound super hot tbh
<HomX> no? man i love it, sometimes you need to listen to an album a 2nd time to really feel it, or you just
weren’t in the right mood for it
<instlr> yeah thats true, ill give it some more time
<HomX> the merck album i’m totally immersed in at the moment is -> MD-Appelsap-2000
<instlr> ym2……… Kkowboy! or is that track on the other md?
<todo> kkowboy is on between gaps i think, thats one with the face on it
<instlr> yeah thats the one, i love that album
<todo> i like the half the battle remix cd a ton, that ones great
<HomX> totally, i honestly adore every single merck release ever put out
<todo> yea they do some pretty wicked shit overall
<instlr> ym2, thats why i wanted to download that list with their influences
<todo> do you own any of the cds? they do some real quality printing
<HomX> the only merck cd i own is the new blamstrain

-

Thanks for reading this, and supporting Merck over the years….the true fans who are buying music, going out to shows, and telling their friends about good music….are keeping this going.

I started skating when I was a young kid living in Orlando. I wasn’t particularly good, and I have no desire to ‘get back to my roots’ now due to insurance reasons. But I have always held a healthy respect for the culture, and the people who risk their lives sliding down rails. If you have a free hour. I suggest you watch these videos. They basically cover two of the most influential street skaters of all time: Rodney Mullen and Natas Kaupus. Two very humble, laid back, and genius guys that invented most of the tricks that kids are out there doing today on the street. If you aren’t sold yet, its got great footage, history, and the music is dope throughout.

Rodney Mullen, parts 1, 2, 3
http://www.youtube.com/watch?v=bX8iRpz9OnI
http://www.youtube.com/watch?v=8g4v-AUd4zE
http://www.youtube.com/watch?v=F0TGsCD1SU0

Natas Kaupus parts 1, 2, 3, 4
http://www.youtube.com/watch?v=SXRo4HbQLNk
http://www.youtube.com/watch?v=gZ5MD6CpRu8
http://www.youtube.com/watch?v=lHRP_wseBKc
http://www.youtube.com/watch?v=mV0028xaUU4

enjoy, posers.

PS: Why is snowboarding in the Olympics and skateboarding isn’t? Snowboarding is basically skateboarding in the winter, but done on a soft forgiving surface, wearing lots of thick padded clothing, with a bigger board, and its attached to your feet permanently. Wow. Hardcore.